Announcement of Flagship EOS R1 by Canon

Canon recently unveiled the highly anticipated EOS R1 and EOS R5 Mark II. The EOS R1 features two processors, the ability to internally capture 6K RAW footage at 60p, new AF modes and enhancements, and the capability to simultaneously capture video and still images. The R1 will be available for shipping in November. Canon has finally introduced its flagship mirrorless hybrid after a significant delay. The original EOS-1 was introduced 35 years ago, and the EOS R1 continues the tradition of being a top choice for professionals globally due to its exceptional autofocus, speed, dependability, and robustness.

The R1, as stated by Canon, is appropriate for the listed purposes:

• Athletics
• Photojournalists
• Gathering of News
• Government and Industry

Which core technologies are shared with the EOS R5 Mark II?

The EOS R1 and the EOS R5 Mark II were both created by Canon simultaneously, resulting in a significant overlap in their core technologies. The following list outlines the shared features between the two models:

• Stacked Sensors with Back Illumination
• DIGIC Accelerator Technology
• Advanced Auto Focus System
• Eye-Controlled Auto Focus
• In-Camera Image Stabilization
• Pre-capture feature for both Photos and Videos
• Compatible with Cinema EOS Line
• Simultaneous Recording of Photos and Videos

Main FEATURES

• The camera features a full-frame back-illuminated stacked sensor with 24.2 megapixels.
• It can continuously shoot up to 20 frames before pausing.
• The continuous shooting rate is 40 frames per second, with adjustable speed.
• The EVF has a high resolution of 9.44 million dots and is blackout-free.
• It is equipped with the new DIGIC Accelerator and Accelerated Capture processor.
• The camera has the ability to upscale images and reduce noise using Neural Network technology.
• It has a built-in vertical grip for added convenience.
• The Dual Pixel Intelligent AF system allows for fast and accurate focusing.
• There are customizable settings for prioritizing registered individuals or action shots.
• The enhanced eye-control AF performance can focus down to -7.5EV.
• It has Cross AF and a 2-Stage AF-ON button for precise focusing.
• The camera has impressive image stabilization with up to 8.5 stops.
• It can record 6K 60p RAW footage and 4K video at 120p and 60p oversampled from 6K.
• Custom Picture settings are supported, along with XF-HEVC S/XF-AVC S formats.
• It also offers Canon Log 2/Log 3 and LPCM/24bit/4CH audio.
• Dual shooting for stills and videos is possible.
• Proxy movie support is available as well.
• The camera has Wi-Fi 6E and 2.5Gbps Ethernet for high-speed data transfer.
• It also has dual-threaded FTP transfer capabilities.

Latest Sensor

The Canon EOS R1 camera features a Back-Illuminated Stacked CMOS sensor with a full-frame 24.2MP resolution, similar to the one used in the R3 model. This sensor offers impressive image quality, dynamic range, and fast sensor readout to minimize rolling shutter effects and enhance autofocus capabilities. Canon has improved the rolling shutter performance in the R1 compared to previous models like the EOS R5 and EOS R6 Mark II. Back-illuminated stacked CMOS sensors are gaining popularity for their ability to improve autofocus performance. Canon has also included a back-illuminated stacked sensor in their R3, R5 Mark II, and other recent models. The EOS R1 uses a Back-Illuminated Stacked sensor to enhance light capture efficiency, expand AF coverage area, and improve readout speed.

The latest sensor used in the EOS R1 has its circuitry positioned on the back instead of the front, allowing for better light absorption and reducing noise. With two layers of circuitry stacked together, this unique design significantly enhances the sensor’s ability to transmit image data to its DIGIC processors faster.

Canon claims that the EOS R1 has a dynamic range of 16 stops, which exceeds the capabilities of previous models. The sensor can produce a 6K Bayer image and oversample to create a 4K DCI or UHD image. The camera features the DIGIC X processor and an additional DIGIC Accelerator to enhance capture capabilities. This results in high-speed continuous shooting, faster AF processing, and a reduced rolling shutter.

High-speed Capture

Canon’s DIGIC Accelerator offers Accelerated Capture for quicker shooting and Deep Learning for improved autofocus accuracy and image quality. It enhances autofocus tracking accuracy and allows for Action Priority and Register People Priority. The video capture ISO range is 100-32,000 (expandable to 204,800), and the photography ISO range is 100-51200, expandable from 50 to 409,600.

Range of Variation & Primary ISO

Based on my discussions with sources at Canon, the company does not publicly disclose the dynamic range or base ISO for video shooting on their mirrorless cameras. However, it has been suggested that the most optimal results can be achieved at 400 ISO. Additionally, the R1 model boasts a dynamic range of 16 stops, surpassing the advertised 12 stops of the original R5 model. The camera should theoretically possess a dynamic range comparable to that of other cameras, such as the Canon C300 Mark III, Canon C400, and C500 Mark II.

Capabilities of Video

Although the R1 may not significantly improve on the R3 regarding video recording capabilities, it offers some enhancements.

Canon’s R5 Mark II and R1 are mirrorless hybrid cameras that share similarities with the Cinema EOS line regarding video capabilities and compatibility. The EOS R1 can capture 6K RAW footage at a maximum frame rate of 59.94fps. It can also oversample 4K footage up to 59.94fps from the 6K source and record pixel-binned 4K footage at a maximum frame rate of 119.88fps.

Remember to capture the 6K DCI RAW format using either 12-bit CRM or Canon RAW (Light). However, it’s important to note that you can only capture RAW footage on CFexpress cards. Furthermore, while recording in 6K RAW, you can simultaneously record in MP4 format on both cards to ensure a secure backup of crucial footage.

The 4K 120p is not downsampled, and it allows for full-frame shooting without any cropping. Due to the substantial file sizes, you should consider storage capacity if filming in 6K RAW. Also, you must consider your computer’s processing power.

When you capture footage in 6K DCI RAW, the data rate can reach a maximum of 2600Mb/s. Alternatively, you can use Light RAW to record 6K footage at 60 frames per second, which lowers the data rate to 1800Mbps.

• Standard RAW at 6K and 60 frames per second has a bit rate of 2600mbps
• Light RAW at 6K and 60 frames per second has a bit rate of 1800mbps.
• Standard Intra at 4K and 120 frames per second using XF-AVC S YCC422 10-bit has a bit rate of 1800mbps.
• Light Intra at 4K and 120 frames per second using XF-AVC S YCC422 10-bit has a bit rate of 1200mbps.
• Standard LGOP at 4K and 120 frames per second using XF-AVC S YCC422 10-bit has a bit rate of 500mbps.
• High-quality intra at 4K and 60 frames per second using XF-AVC S YCC422 10-bit has a bit rate of 1200mbps.
• Standard Intra at 4K and 60 frames per second using XF-AVC S YCC422 10-bit has a bit rate of 900mbps.
• Standard LGOP at 4K and 60 frames per second using XF-AVC S YCC422 10-bit has a bit rate of 250mbps.
• Standard Intra at 2K and 60 frames per second using XF-AVC S YCC422 10-bit has a bit rate of 300mbps.

Comparison of RAW Data Rates among Canon Camera Models

What is the comparison between the RAW data rates of this camera and other Canon models? Take a look at the information below:

| Canon EOS R5 Mark II | Canon C500 Mark II | Canon 1DX Mark III|
—|—|—|—|
Bit Rate | 2600Mb/s for | 8192 x 4320 resolution |
2100Mb/s for | 5952 x 3140 resolution |
2600Mb/s for | 5472 x 2886 resolution |
| Canon EOS R5 C | Canon C400 | Canon EOS R3 |
—|—|—|—|
Bit Rate | 2570Mb/s for | 8192 x 4320 resolution |
2130Mb/s for | 6000 x 3164 resolution |
2600Mb/s for | 6000 x 3164 resolution |

For individuals who do not wish to capture footage in RAW format, there is the option to record in 4K, 2K DCI, and HD.

It is possible to capture footage in full-frame without any cropping when filming the following scenarios:

• 6K DCI RAW format (6000 x 3164) is available in 23.98p, 24p, 25p, 29.97p, 50p, and 59.94p.
• 4K DCI SRAW format (4096 x 2160) is offered in 23.98p, 24p, 25p, 29.97p, 50p, and 59.94p.
• 6K DCI MP4 format (6000 x 3164) can be recorded in 23.98p, 24p, 25p, and 29.97p.
• 4K DCI MP4 format (4096 x 2160) is available in 23.98p, 24p, 25p, 29.97p, 50p, and 59.94p.
• 4K UHD MP4 format (3840 x 2160) can be captured in 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 100p, and 119.88p.
• 2K DCI MP4 format (2048 x 1080) is offered in 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 100p, 119.88p, 200p, and 239.76p.
• HD MP4 format (1920 x 1080) can be recorded in 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 100p, 119.88p, 200p, and 239.76p.
• The option for 6K oversampling is only accessible while recording in 23.98p, 24p, 25p, and 29.97p.

The option for 4K oversampling is only applicable when recording at 23.98p, 24p, 25p, or 29.97p.

Maximum duration for recording

The setting for high frame rate has been disabled.

• For a frame rate of 100.00fps or higher, the maximum recording time is 2 hours.
• For a frame rate of 59.94fps or lower, the maximum recording time is 6 hours.

Enabling High Frame Rate

• The maximum recording time for a frame rate of 200fps is 45 minutes when using 239.76.
• When recording at a frame rate of 100fps, the maximum recording time using 119.88 is 1 hour and 30 minutes.

The maximum continuous recording times mentioned above do not consider any potential overheating issues.

With Canon, you have more flexibility compared to the limitations of the EOS R3 and R5 regarding color sampling, bit depth, and codec configurations. You can choose from 4:2:2 10-bit / 4:2:0 8-bit / H264, H265 (HEVC) in non-RAW settings (such as Picture Style and Custom Picture).

H.264

The H.264 is a popular video compression standard.

GAMMA| Color sampling| Bit Depth| Codec

—|—|—|—

Standard (SDR)| 4:2:0| 8-bit| H.264

Standard (SDR)| 4:2:2| 10-bit| H.264

Canon 709| 4:2:0| 8-bit| H.264

Canon 709| 4:2:2| 10-bit| H.264
¨C169CBT 709 Standard| 4:2:0| 8-bit| H.264¨C170C¨C171CBT 709 Standard| 4:2:2| 10-bit| H.264¨C172C¨C173CHDR PQ| 4:2:0| 8-bit| H.264¨C174C¨C175CHDR PQ| 4:2:2| 10-bit| H.264¨C176C¨C177CCanon Log 2| 4:2:0| 8-bit| H.264¨C178C¨C179CCanon Log 2| 4:2:2| 10-bit| H.264¨C180C¨C181CCanon Log 3| 4:2:0| 8-bit| H.264¨C182C¨C183CCanon Log 3| 4:2:2| 10-bit| H.264¨C184C¨C185CPQ| 4:2:0| 8-bit| H.264¨C186C¨C187CPQ| 4:2:2| 10-bit| H.264¨C188C¨C189CHLG| 4:2:0| 8-bit| H.264¨C190C¨C191CHLG| 4:2:2| 10-bit| H.264

High-Efficiency Video Coding (HEVC)

GAMMA| Color sampling| Bit Depth| Codec

—|—|—|—

Standard (SDR)| 4:2:0| 10-bit| H.265

Standard (SDR)| 4:2:2| 10-bit| H.265

Canon 709| 4:2:0| 10-bit| H.265

Canon 709| 4:2:2| 10-bit| H.265
¨C205CBT 709 Standard| 4:2:0| 10-bit| H.265¨C206C¨C207CBT 709 Standard| 4:2:2| 10-bit| H.265¨C208C¨C209CHDR PQ| 4:2:0| 10-bit| H.265¨C210C¨C211CHDR PQ| 4:2:2| 10-bit| H.265¨C212C¨C213CCanon Log 2| 4:2:0| 10-bit| H.265¨C214C¨C215CCanon Log 2| 4:2:2| 10-bit| H.265¨C216C¨C217CCanon Log 3| 4:2:0| 10-bit| H.265¨C218C¨C219CCanon Log 3| 4:2:2| 10-bit| H.265¨C220C¨C221CPQ| 4:2:0| 10-bit| H.265¨C222C¨C223CPQ| 4:2:2| 10-bit| H.265¨C224C¨C225CHLG| 4:2:0| 10-bit| H.265¨C226C¨C227CHLG| 4:2:2| 10-bit| H.265

Cameras such as the Nikon Z8, Nikon Z9, Sony a1, Sony a7R V, and Panasonic S5 II can be considered direct competitors regarding resolutions, frame rates, and internal recording.

It should be noted that the R1, despite being a mirrorless hybrid, is primarily designed as a professional camera for still photography. Its target audience is not the same as that of the R5 Mark II.

Look-Up Tables, Image Profiles & Assistance Tools for Monitoring

You can utilize your own LUTs on the EOS R1 by loading them onto the device.

LUTs enable users to view, playback, and output via HDMI. Users can also permanently embed an LUT into their footage and modify any Custom Picture profiles with an LUT. The EOS R1 now features Custom Picture profiles, specifically designed to align it with Cinema EOS cameras, marking a first for the EOS R series camera. The Canon EOS R1 is equipped with both Canon Log2 and Canon Log3, a feature never before seen in an EOS R camera. Not even the R5 C model has Canon Log2.

You have the option to select from the following newly added Custom Picture profiles:

• Canon 709 (BT 709)
• BT 709 Standard (BT 709)
• PQ (BT 2020)
• HLG (BT 220)

As mentioned earlier, a LUT can be utilized on any of the aforementioned Custom Picture profiles.

For monitoring assistance, available options include zebras, a histogram, peaking, and focus magnification.

Double Shooting

The R1 camera can capture both video and still images simultaneously. This is effective when recording HD videos and allows for capturing JPEG still images with a resolution of 33.2MP and a 16:9 aspect ratio at a maximum speed of 10 frames per second. You can switch between capturing videos and images without interrupting the recording process by pressing the shutter button while in video recording mode. However, this may not be suitable for capturing photos while shooting video at regular shutter speeds, especially if the subject is in motion. Unlike the R5 Mark II, the R1 is limited to HD resolution up to 30 frames per second.

You can use various methods, such as a cabled remote controller, the Camera Connect App, or the BR-E1 wireless remote control, to capture photos while filming a video on a Canon camera.

Recording through a Proxy

The R1 has the ability to perform proxy recording, where a full-sized RAW file can be recorded to one card while a lower-resolution proxy file is recorded to another.

The proxies are organized using standard file naming conventions and a structured system of folders.

Absence of Anamorphic Formats

The EOS R1’s lack of anamorphic shooting modes is not unusual, as not many mirrorless hybrids offer this feature.

What can be said about the temperature?

Canon faced a significant amount of backlash on the internet due to the R5’s overheating problems, which can be argued to be justified. It is far from ideal to have a professional camera that overheats during video recording.

Canon surely does not want to experience another PR nightmare they had with the R5’s overheating problems.

A demonstration of the duration of movie recording, starting from a cold start until the shutdown, can be seen below:

Quality of Film| Format of File| Temperature for Automatic Power Off

Set to High

—|—|—

6K 60p RAW + 2K 60p LGOP (Proxy)| RAW+MP4| 120 minutes or longer

4K 120p LGOP| MP4| 15 minutes

4K 60p LGOP (Fine)| MP4| 109 minutes
¨C273C4K 30p LGOP| MP4| No limitations due to overheating¨C274C¨C275CFull HD 240p| MP4| 46 minutes

Notes on Measurement:

Please note the following information about using CFexpress Cards with Canon’s camera. The internal temperature may affect the camera’s recording time, especially when configuring settings or using Live View mode extensively. The recording will stop when the memory card is full, and the recording time may vary in real-life scenarios. The camera supports shooting in 6K RAW at up to 60 fps or 4K at up to 30 fps. However, overheating and recovery times are not specified. Despite some limitations, the camera is suitable for professional use if its capabilities and limitations are understood. If you expect extended recording times in hot environments, this camera may not suit your needs.

Continuous Shooting Before

Selecting a specific mode before using the EOS R1 to automatically capture images or video is important. In video mode, you can hold down the start/stop button halfway to record 3-5 seconds of footage. However, this feature isn’t available when shooting in RAW, high-frame rates, or time-lapse modes. Canon suggests using HD resolutions for extended periods, as pre-recording can raise the camera’s temperature. In stills mode, pressing the shutter button halfway down allows the camera to take up to 20 photos, with a rate of 40 shots per second at intervals of 0.5 seconds or 20 shots per second at intervals of 0.67 seconds. Canon has stated that this feature is available for both RAW and JPEG formats.

Air Force

Canon cameras have consistently been known for their impressive autofocus capabilities, but the EOS R5 has taken them to the next level. The camera now offers a variety of advanced AF modes and enhanced tracking abilities.

Many of the autofocus features found in the R5 Mark II are also present in the EOS R1.

Enhanced Precision in Tracking

The R1 has improved tracking accuracy, allowing it to track subjects even when they overlap. It can detect and avoid obstacles using AI, predicting the movement of a person’s head and eyes, even when in motion. This enhanced tracking ability is applicable for both video and still images.

Priority for Action

Canon has introduced a new AF mode called Action Priority for capturing sports events involving large balls. It uses AI to automatically focus on the main subject and can monitor the ball and objects around it, quickly switching between different subjects. This function is effective for taking photos but not for recording videos.

Priority Registration for Individuals

The Prioritizing Registered Individuals feature allows you to specify up to 10 individuals for the autofocus system to focus on. It’s useful for both images and videos, especially for events like sports or weddings.

Autofocus in Cross-Type

The Cross-Type AF feature in the EOS R series body offers consistent distance measurement accuracy that is unaffected by subject patterns or obstacles. It accurately captures subjects, surpassing previous models, even in challenging conditions such as photographing wild birds, volleyball with obstructed faces, or low-contrast scenarios.

Autofocus through Eye Control

The Canon R1 model incorporates Eye Control AF, a feature that allows users to adjust the focus point by simply shifting their gaze. This technology was first introduced in the EOS 5 back in 1992 and has now returned in the R1, offering improved eye detection capability compared to the previous EOS R3 model. However, the effectiveness of Eye Control AF may be influenced by factors such as the user’s eyewear and individual characteristics.

Image Stabilization Built into the Body

The R5 was Canon’s first camera with in-body image stabilization, offering up to 8.5 stops of shake correction with specific Canon R mount lenses. The in-body image stabilization effectively stabilizes images regardless of the lens used and operates through a system of sensors and processors. The IBIS feature cannot be disabled with an IS lens attached and automatically deactivates on a tripod but not on a gimbal. A minor image crop will occur when using a lens with IS to record video.

Upscaling Within the Camera

The R1, along with the R5 Mark II, has a feature called In-Camera Upscaling. This enhances the resolution of images by doubling the number of horizontal and vertical pixels, allowing for higher-quality images to be created. In fact, the R1 can upscale a 24MP image to 96MP, making it a powerful tool for photographers.

The process operates differently from pixel shift technology, allowing users to revisit and upscale any previously captured photo within the camera itself.

To achieve impressive results, you can use both cropping and In-Camera Upscaling simultaneously within the camera after taking a picture.

Reduction of Neural Noise

The R1’s dual processors provide extra power, enabling Canon’s Neural Noise Reduction feature.

You can use this function on your camera to modify an already captured image. To clarify, this function is inactive while taking photos and does not reduce noise.

AI can produce images with less noise while handling RAW images directly on the camera, eliminating the need for a computer.

The combination of Neural Noise Reduction and In-Camera Upscaling is possible.

Performance of Stills

 The EOS R1 has the ability to capture images at a rate of 40 frames per second using an electronic shutter and up to 12 frames per second using a mechanical shutter.

The camera provides various controls, including a multi-controller and a smart controller. It has three customizable dials on the body and a Lens Control ring on every RF Mount lens. As a result, photographers can easily adjust shutter speed, aperture, ISO, and exposure compensation without taking their eyes off the camera.

There is a specialized switch for video and stills located at the rear of the camera.

LCD with adjustable angle

The EOS R1 features a screen known as Vari-Angle by Canon. This touch screen has a resolution of 4.1 million dots and can be unfolded to the side, rotated in a full circle, and tilted in multiple directions.

Innovative Electronic Viewfinder

The R1 boasts a high-brightness electronic viewfinder that is blackout-free and has an impressive 9.44 million dots, surpassing the 5.76 million dots of the EOS R5 Mark II.

This camera is equipped with an anti-fog feature and a spacious viewfinder eyepiece, making it an ideal choice for capturing sports events for extended periods of time.

Main Content

The EOS R1 has a freshly designed weather-resistant body featuring a revamped outer texture and an integrated vertical grip.

The exterior of the EOS R1 is fully protected from dust and harsh weather conditions, and it bears a striking resemblance to the R3. Constructed with a durable magnesium alloy, the body of the EOS R1 offers the same level of resistance against dust and weather as Canon’s renowned EOS-1D X series and the R3.

The R1’s body-only weight is just slightly lighter than the R5 C’s by 24g. To put it in perspective, the original R5 weighs 650g.

The R1’s physical dimensions are 138.5 x 101.2 x 93.5mm, while the dimensions of the original R5 are 138 x 97.5 x 88 mm.

Layout and Controls

The camera provides various options for controlling its functions, including a multi-controller and a smart controller. Additionally, there are three customizable dials on the camera body and a Lens Control ring on every RF Mount lens. This enables the photographer to easily adjust settings such as shutter speed, aperture, ISO, and exposure compensation without removing their eye from the camera.

The camera has a specialized switch for switching between video and still modes. The controls are similar to those of the EOS R3. It has a two-stage AF-ON button and important features like a 3.5mm microphone jack, headphone jack, and full-sized HDMI port. HDMI can capture a clear 4:2:2 10-bit signal at a maximum of 60p. You can use Atomos products to record externally through HDMI, but it may be costly compared to buying a digital cinema camera.

Two card Slots

The EOS R1 features a front-slanted left body with a card slot that can hold two CFexpress Type B cards. Additionally, the camera is compatible with the MEGA 4TB 7110 card.

In the past year or so, the cost of CFexpress cards has significantly decreased, and their storage capacities have also increased.

Power Source

The LP-E19 batteries are used in the EOS R1, which is also compatible with the EOS-1DX Mark II.

A power adapter with a USB-C connection can also charge and power the camera, and a DC coupler is included.

Sound

The importance of audio features is often overlooked, but they should be carefully examined. The R1 only has one 3.5mm stereo input.

It is surprising that Canon has yet to release an audio module for its R-System cameras, while its competitors, Panasonic and Sony, have been offering suitable options for a long time. Considering the R1’s multi-interface hot shoe, Canon is expected to have provided a solution by now.

Canon sells the MA-400 Microphone Adapter for the C300 Mark II and the XC15 ($499 USD), but it is not compatible with any R-System cameras.

Both Panasonic and Sony have a range of professional audio adapters that can be connected through a hot shoe connector, giving them a significant edge over Canon.

The TASCAM CA-XLR2d-C XLR Microphone Adapter Kit for Canon Cameras is an option for Canon cameras; however, I have personally tested it with the R5 and encountered significant problems. It is unclear why Canon continues to endorse this product despite its lack of compatibility with their cameras.

Regarding audio solutions for mirrorless hybrids, Canon is significantly lagging behind its competitors.

Support for News Metadata (by the NewsML-G2 standard)

News Metadata, which follows the standard XML format, allows for the seamless integration of news content, metadata, structures, and context. This can be achieved by incorporating metadata that is compatible with the NewsML-G2 standard into a movie file, facilitating efficient workflows for news TV broadcasters.

Pre-shooting and post-shooting metadata editing and export can be performed through a computer using Content Transfer Professional.

Network Connection

The R1 has Bluetooth, Wi-Fi, MIMO, and Wired LAN capabilities, including 6GHz Wi-Fi for seamless connectivity. It enables fast file sharing and FTP/FTPS transfer. You can operate the camera remotely through the Camera Connect and EOS Utility applications and connect it to a computer or Mac wirelessly via high-speed USB-C or Ethernet.The EOS R1 also prioritizes content delivery equally to image and video capture. It allows for automatic file transfer to a cloud platform for easy sharing and integration with Google Photos or Adobe Cloud workflows.

Collaboration between the Cinematography & Photography Departments

Canon has emphasized the close working relationship between its cine and stills departments to its customers. The EOS R5 Mark II and the EOS R1 are considered significant B and C cameras with potential alongside other models. The R1 may suit a particular role, but its compatibility with Cinema EOS cameras is not yet determined.

Timecode

The R1 camera supports timecode but does not have the option to jam-syncing timecode and embed it in the metadata. Using an audio-based track recording system for timecode synchronization would result in losing one audio track and require software conversion.

Who is the intended audience?

The EOS R1’s main audience is professional photographers in the sports and news industries who are seeking a durable and dependable option.

Although the EOS R1 is undeniably a proficient mirrorless hybrid, its main focus remains on being a top-of-the-line camera for capturing still images, with the added bonus of being capable of recording videos.

Cost and Access

According to the product listing on B&H Photo Video’s website, the body-only version of the EOS R1 costs $6,299 USD.

The shipment of the camera is expected to commence in November.

In terms of pricing, the Sony a1 is available for purchase for $6,498 USD (as seen on B&H Photo Video), while the Nikon Z9 is priced at $5,496.95 USD (also listed on B&H Photo Video).

Technical Specifications

Reflections

The EOS R1 is a promising option for professional photographers in sports and news. Its advanced autofocus, rapid shooting, and video capabilities make it attractive. However, true performance remains to be seen due to the difference between specs and actual use. Share your opinion on the Canon EOS R1 in the comments.

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